Reporting suggestions and care plans on the net. ATL`s care model by Liliane Juchli. « Un coup de dés

Un coup de dés

  • 22. 10. 2020

    Reporting suggestions and care plans on the net. ATL`s care model by Liliane Juchli.

    activities of everyday living.From Wiki.The activities of day-to-day living (ADL) to Liliane Juchli represent a conceptual model of care.The idea.12 ATL Juchli are:be awake and sleep move to wash and dress consuming and drinking resignation breathe regulate body temperature to provide safety space and time make, operate and play communicate youngster, lady, man his sense identified in becoming, being, offense (also: sense of life, existential crisis, to die)Value for the German-speaking nursing.

    Liliane Juchli founded today’s normal operate « Thieme care » that « the Juchli » essay writing in nursing for years was identified only as and A_CH D countries accompanied countless nursing students during coaching and in operating in. Juchli structured their perform towards the activities of day-to-day living (ADL), and hence followed Henderson’s notion of « Activities of each day living ». was the « revolutionary » due to the fact they wanted to become understood death as meaningful in each day life.The notion of mastering locations that link the material of information of various disciplines for them was the reality is currently a given. Within the didactic method to discover her textbook before each chapter.Impact the ideas in daily care.The ATL give generic terms are for many activities that we (practically) all do or practical experience to each day life to cope independently.With all the assist of ATLs can check you in which places of individual care desires is really a patient. The ATLs facilitate systematization and holistic approach when generating the care program – the data collection.The ATLs to be formulated within the form of skills, sources and deficits in respective residents. The border region will need to be as narrow as possible, since it avoids unnecessary takeover of existing skills.

    care preparing.When generating care plans, the nurses go out based on their preferred or their institution established nursing theory. Right after that, their actions aimed at facts gathering and assessment. Care goals an individual could differ accordingly from which nursing theory, which model establishes the plan is prepared.Care desires evaluation.You’ll find brief checklists without the need of claiming to become precise weighting of require. Right here is asked no matter if the ATL, in component, may very well be exercised beneath the path or only by complete takeover by external assistants totally independently.Predecessor of such checklists was Katz with his under list of instrumental ADL (IADL, English: i nstrumental a ctivitys of d l iving aily).to be replaced someplace in between the abilities and also other resources of an individual and their wishes accepted these expertise by nursing employees, the will need for care is.This cautious formulation has the subjective aspect of the idea towards care needs which will be viewed differently by nourishing and well-kept people today. By description of skills and subjective challenges of care requirements can this person be restricted in detail. This is mainly overlooked inside the checklists that ask the MCQ method to the degree of independence. It can be crossing a lack of potential. The result is then correspondingly inaccurate. When caring for needs evaluation and derived perform management for a whole station / living area that outcome hardly usable. So generate the plowing. Then other lists or www.nursingpaper.com/our-services/nursing-care-plan-writing-service/ timetables. And sometimes every single day.Ideological orientation.

    The philosophical orientation of a upkeep organization or individual nurses will draw also effect on the weighting of many different ATL to himself.Individual aspects ATL.The ATL initially demand an information collection. The collection of https://news.stanford.edu/2014/04/24/walking-vs-sitting-042414/ objective numerical values ??could possibly initially be sufficient for individual ATL. Here, if no abnormality is present in this location do not care measure is expected.In a lot more judgmental ATL (. Eg social, life objective) is initially the question towards the patient / client suffice if there’s in this region in their view, difficulties related with the therapy. If that’s the case, a even more detailed survey / description need to take location.Even the absence of additional clarification requirements to become documented within the collection of facts to show that this has been verified.

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ORGANISER UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 Pour l’édition d’été du magazine uncoupdedés.net, je me suis laissée inspirer par le jeu de dés de Mallarmé afin de m’éloigner d’un texte d’introduction habituel. En allant dans le sens du contenu publié et de l’esprit hétérogène que j’ai rencontré dans le magazine, je me suis limitée à utiliser l’existant (titres et contenus) pour produire une intervention minimale : , and lies listen to,, at the, she said, as a for of, while he said ? . a , . L’économie de mots déploie une dimension visuelle et musicale de l’assemblage, met en lumière l’effort collectif, satisfait à des stratégies magiques, incite à la mémorisation ou, incarne peut-être tout simplement l’acte de base programmé par cette invitation : ORGANISER UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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A PROPOS

Fort de son succès et de sa visibilité, uncoupdedés.net réactive et soumet le contenu existant à de nouvelles voix. En 2014 et 2015, plusieurs personnalités étrangères sont invitées, le temps d’une saison, à devenir nos éditorialistes. Il s’agira pour eux de mettre en perspective l’ensemble des contenus du magazine, et de les redéployer au prisme de leur subjectivité et de leurs propres contextes de travail.

Quatre personnalités reformuleront l’action des centres d’art dont ils auront pu percevoir divers aspects à travers le magazine : Catalina Lozano (Colombie), Zasha Colah (Inde), Moe Satt (Myanmar) et Manuela Moscoso (Brésil) : chaque rédacteur en chef « après coup » livrera ainsi un texte transversal, revisitant de façon originale la géographie résolument mouvante des centres d’art.

uncoupdedés.net réitère le défi à la manière du poème de Mallarmé, relancé par la science du montage cinématographique de Jean-Marie Straub et Danièle Huillet (Toute révolution est un coup de dés, 1977). Les invités, provenant d’horizons multiples, élargiront encore davantage le cercle de la parole. Chorale et fragmentaire, uncoupdedés.net tient autant du puzzle que du memory et en appelle naturellement à tous les redécoupages possibles…

MANUELA MOSCOSO

(Sao Paulo, Brésil)

Commissaire d’exposition basée au Brésil, Manuela Moscoso a notamment été commissaire de la 12ème Biennale de Cuenca, Equateur, de l’exposition Yael Davis au Museo de Arte (Rio de Janeiro, Brésil), Fisicisimos, à l’Université Torcuato di Tella, The Queens Biennale au Queens Museum à New York et Before Everything au CA2M (Madrid). Elle forme, avec Sarah Demeuse, Rivet, une agence curatoriale qui explore les notions de déploiement, circulation, pratique, et résonance. Leur recherche a pris corps à travers plusieurs projets en Espagne, en Norvège, au Liban et aux Etats-Unis. Manuela Moscoso est diplômée du Centre des études curatoriales du Bard College.