Understanding Canine Facial Expressions « Un coup de dés

Un coup de dés

  • 2020. 10. 27

    Understanding Canine Facial Expressions

    Dogs can be very expressive animals and they are not always as booked as you might think with their facial expressions. They create these facial expressions since they’re nervous or excited or simply because they don’t know when the time to let it all out is. If you can recognize these facial expressions, you can learn how to use a dog mask to your own security and that of your pet.

    Dogs have been domesticated since before recorded history. They’ve lived alongside man for thousands of years with no major incidents. However, the last few centuries have seen more than their share of abuse from man. This includes the use of poisons such as strychnine, which is a poison made by German soldiers in World War I. Besides being used in war, strychnine can also be used on unsuspecting people as well, especially children.

    Canine owners also understand how important their pets may be to their own families. It might take several days to bring home a new dog, so many dog owners find themselves hurrying home to their pets on the first day. These quick spurts of emotion can result in some really funny dog facial expressions.

    When this occurs in a dog’s life, an expression that’s not always so funny is a canine scream. This is in fact a way for the dog to express itself. This may be a warning cry your pet is being hurt or scared. It also shows your dog does not know whether to trust you, so it will try its best to escape.

    Canine laughter is another form of canine expression. This is truly not a shout at all but instead a sound that dogs make when they are happy or excited. This is often times mistaken for a bark because dogs create these sounds during playtime, just like we do. These sounds are often times confused as”barking.” This is the reason you should never treat a dog with any form of fear or anger due to canine laughter.

    When a dog is injured, its first reaction will be to whimper in pain or even bite you. This form of puppy saying is a dog telling you that something is wrong with it. Dogs often times have a problem with pain that’s so severe that it is not easy for them to show their true emotions so they will simply whimper.

    Ultimately, the dog may also exhibit other dog behaviours. These behaviors include biting or pushing, sniffing and chewing. Some of these behaviors aren’t harmful, but can still create some issues if they are not properly managed by the dog owner. Other behaviors include jumping on people, chewing on furniture, barking at other pets and on you, or on your furniture and other pets as well as running away from you.

    Canine facial expressions and puppy behaviors are a way to get a puppy to communicate with you. There’s nothing wrong with showing your dog that you care about them. You’ll be amazed by some of the expressions your dog will display!

    The biggest problem that can come about once you show canine facial expressions is that they will hurt or scare other dogs. This is where your dog has to be handled with care. Be certain that you understand the right canine facial expression and behavior so as to avoid hurting a dog. You may want to think about using a dog mask while playing with a friend or going for a walk with your dog.

    You may even want to consider buying a dog mask which has a warning whistle attached to it so that you know if your dog starts to bite. Or chase after you. The whistle can help prevent you from inadvertently hurting your dog. Despite the fact that you don’t wish to be afraid of your dog due to the mask, sometimes dogs do feel threatened. When other dogs are around them.

    You don’t need to get your dog in trouble, but you also don’t need to be embarrassed when you find this happening either. Dogs have a tendency to get hurt when they’re in the company of other dogs. It is easy for a dog to understand how you will respond and you could realize that the dog is quite protective. Therefore, you should think about getting a dog mask which dog face mask makes your dog scared but not too frightened to show it is true emotions.

    Your pet is like a part of your family and you want to be certain that he or she is treated like one. Do not show your dog any signs of stress or anxiety, so if you can, set the dog mask onto your dog until you do something which will embarrass the dog. Just remember that this is your dog’s world, so you should treat it like a member of the family. This way, they will have a better experience in a positive way and will learn that they are going to be able to live without any fear or embarrassment.

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EDITO

ORGANIZING UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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ABOUT

Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…

MANUELA MOSCOSO

 

(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.