Symbiosis: The Art of Dwelling Together « Un coup de dés

Un coup de dés

  • 2021. 01. 26

    Symbiosis: The Art of Dwelling Together

    Symbiosis is known as a time period describing any partnership or conversation involving two dissimilar organisms

    Planet Earth is inhabited by millions of species?at the very least! Given that diverse species typically inhabit the exact same areas and share?or compete for?the exact same means, they interact in a wide variety of the way, recognized collectively as symbiosis. You’ll find five key symbiotic interactions: mutualism, commensalism, predation, parasitism, and levels of competition.

    To check out these relationships, let?s look at a natural ecosystem including the ocean. Oceanic environments are acknowledged for his or her species range. Think of you will be on a diving expedition to examine the worlds beneath the waves. If we were being with the warm waters from the Pacific or Indian Oceans, we?d possible location a wonderful case in point of mutualism: the connection around clownfish and sea anemones. In a mutualistic loving relationship, each species reward. Sea anemones live hooked up towards the area of coral reefs. They entice their prey with stinging cells described as nematocysts, which can be located on their tentacles. Nematocysts release toxins each time a minimal animal contacts an anemone?s tentacle. This paralyzes the stung animal, allowing for the anemone to easily deliver the animal into its mouth for ingestion.

    While other fish succumb to these poisonous stings, clownfish secrete a substance during the mucus masking their bodies that suppresses the firing of nematocysts. This enables the clownfish to swim easily somewhere between the tentacles of anemones, building a protected natural environment by which prospective predators are killed off by anemone stings. This plainly positive aspects the clownfish, but what about the sea anemones? The brightly-colored clownfish entice other fish interested in a food. These unsuspecting would-be predators are then caught and eaten because of the anemones.

    As we keep going in our imaginary deep-sea voyage, we might observe the commensalistic romantic relationship that exists in between barnacles and humpback whales. Commensalism occurs when a person species lives with, on, or in an alternative species, identified given that the host. The host species neither added benefits neither is harmed with the relationship. In our imagined instance, a number of species of barnacles attach themselves for the pores and skin of whales. Experts have not observed the precise system by which barnacles have the ability to do this, but it surely will not surface to bother the whales. How do the barnacles benefit from this unlikely romantic relationship? The large whales transportation the tiny barnacles to plankton-rich waters, exactly where both capstone nursing project of those species http://cns-web.bu.edu/ feast on the plentiful https://www.nursingcapstone.net/ microorganisms that live there.

    Of program, some symbiotic interactions do result in harm

    In predation, 1 species (the predator) hunts and kills an additional species (the prey). Undoubtedly one of the better studied predators in the oceans would be the orca, or killer whale. Found in each ocean on this planet, orcas are classified as apex predators. Even though they hunt and try to eat various other organisms?over a hundred and forty species?orcas them selves are usually not hunted by almost every other predator. To put it differently, they are really with the major of your foods chain!

    Another unsafe marriage is parasitism. This transpires when a person species (the parasite) life with, on, or inside of a host species, for the expenditure on the host species. In contrast to in predation, the host is absolutely not instantly killed from the parasite, even though it could sicken and die through time. Examples of common parasites located in the ocean involve nematodes, leeches, and barnacles.

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EDITO

ORGANIZING UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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ABOUT

Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…

MANUELA MOSCOSO

 

(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.