How to choose the best theme for your article and make them a interesting? « Un coup de dés

Un coup de dés

  • 2021. 01. 09

    How to choose the best theme for your article and make them a interesting?

    How to choose the best theme for your article and make them a intresting?

    It’s a real task to choose the best theme for your articles and make them a really content for the broad academy environment. Many students and Scientifics can see that only a good theme can make a good article or research, so if you want to show them how you can choose the best theme for your research try to show the best example of your work and essays projects. When you become have experience you can do it with the best of you can. The example of your work can be an advertisement with the best content in form of a video or image. When you show your work to scientific community or academy environment it’s can be interesting and useful for many students and Scientifics, only that you need it’s to be creative and qualified for choose the theme of your articles.

    In the latest trends people try to make their article in latest style with actual content and creative content, but as usual this dream is not true, most of the students and scientific don’t have enough time for writing and editing their essay or article, so they try to use the easiest themes for their articles. As a rule, the most popular themes are usually using for an advertisement or personal blogs of these people.

    In this way, you must understand that the best themes for your articles can be choose by yourself, but if you want to successful complete your article research, try to ask some advice in your science director or at least ask him to let you use his older work for making your articles theme interesting and attractive.

    Every university have an own personal collection of examples of works and all essay works, so if you see that you don’t have enough time or you can’t take the old example of your work and make a new one, you always can ask at the personal assistant of your university. Sometimes they can help you to have the best of your work and make the academy articles with interesting themes, it’s only that you need it’s to be possible find a good theme for your articles and make them the best as you can.

    Many students and Scientifics can make a good essay and articles with the old academy style writing style, but as usual it’s can’t be use for today standards, so people tried to find the best academy and scientific writing platformss where they can publish their work, and if they successfully complete it, they become popular among students and scientific, only that you need it’s a great ideas and become a better than other authors and students, which can proofreading their work.

    When you publish your work on the different social platforms like a Facebook, Twitter, Telegram, you can attract a lot of attention of your works, which can argumentative essay outline be a really helpful for your articles research, only that you need it’s a great interest for your work. If you don’t have a personal website or You use a portfolio site, you always can find more information about you and your works at profile or personal website. So, if you want to succeed in your study and writing your articles research, try to manage with all of these.

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EDITO

ORGANIZING UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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ABOUT

Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…

MANUELA MOSCOSO

 

(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.