Frequently asked questions about dual studies. Which dual courses of study are provided? « Un coup de dés

Un coup de dés

  • 2020. 12. 22

    Frequently asked questions about dual studies. Which dual courses of study are provided?

    In cooperation with dual universities and vocational academies, Commerzbank delivers the following qualifications or

    Can I pick my location of study?

    The study locations are firmly assigned to our corporate divisions or regions. Instance: You apply for any dual study system “Bachelor of Arts” for the branch region, you reside in Magdeburg and state “Magdeburg” because the region of your option. Your spot of study would then be Berlin, exactly where you study in the University of Economics and Law.

    What would be the specifications to get a dual study system? For all dual courses of study, the Abitur or complete technical college entrance qualification (not only the school component) is the basic requirement. The grade point typical is based around the requirements of the respective university. Make sure you have great grades in mathematics, German and English. But school grades alone are usually not everything. What else is important and additional beneficial information will be identified on our web page “Dual Degree Programs”.

    Can I apply to get a dual degree plan having a completed coaching course? Yes it can be doable. I dropped out of my research – can I still apply for Commerzbank’s dual study programs?

    Dropouts are welcome to apply to us. By way of example, when you’ve got dropped out of a teaching degree, you may apply to Commerzbank for a dual study plan in applied IT.

    Immediately after the dual study plan, we will function with you to discover the perfect approach to commence your career at Commerzbank: You may raise along with your bachelor’s degree, for instance, in seeking soon after private, online business or corporate prospects or in thrilling specialist jobs at our headquarters.

    And in the event the bachelor’s degree isn’t enough for you and you nonetheless have your academic career If you’d like to continue leading, you are able to then also turn out to be component plagiarism rewriter from the study groups in the course of your master? S degree – our profession plan accompanying your studies!

    Step: Choice interview. After the phone interview, you might get to understand one another personally inside the choice interview. For this purpose, we prefer to invite you to https://www.rewritingservices.net/content-rewrite-examples/ the region of the choice, which you specified inside your application. If you’re mobile as well as your schedule doesn’t match differently, we can also invite you to a neighboring area. In this case, please get in touch with our applicant hotline for information about attainable option dates in neighboring regions. It is possible to reach our hotline absolutely free of charge on 0800 1 010159 (Monday – Friday eight: 00 a.m. – 4:30 p.m.). Please confirm your participation by e-mail. In case you don’t have time that day, we are going to work with you to find an alternative date. The selection interview offers you and us the chance to have to understand one http://credo.stanford.edu/reports/statepressreleases/Ohio.pdf another superior. It consists of two elements: a detailed one-on-one interview with executives and a part play, in which a common circumstance in your preferred job is simulated. There’s also sufficient time for the concerns to us. When you’ve got convinced us, you are going to typically get a firm commitment right away on the exact same day, which will be followed by the final contract inside the following weeks. If your profile does not match our needs, we are going to explain the motives in detail. Imperative: This feedback represents our point of view, but each provider has its personal criteria. Our feedback can provide you with vital suggestions for your subsequent job interview.

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EDITO

ORGANIZING UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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ABOUT

Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…

MANUELA MOSCOSO

 

(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.