Research Paper Writing Tips – Top Strategies For Pupils « Un coup de dés

Un coup de dés

  • 2021. 02. 01

    Research Paper Writing Tips – Top Strategies For Pupils

    If you’re at present involved in the process of researching a thesis, dissertation, or other kind of academic writing, then you’re well aware of the importance of research paper writing. While study papers are not as dull as they were, they are still a very important part of any academic area. The very first thing that you will need to be able to achieve when you begin your study is to find a subject that’s both interesting and applicable to your specific region of study.

    One of the key reasons why this can be so important is because you wish to make sure that the info which you present is useful to others. Furthermore, it’s a necessity to have a topic that is worthy of being submitted to a peer reviewed journal. Achieving this is often easier said than done because the vast majority of students aren’t too great at writing a good research paper. They are normally too intimidated by the notion of needing to write a research document, so maybe not doing it at all.

    However, the typical student is not able to write well in the first position, which leads to the problem of these not even attempting. This leads many students to be more educated about writing research papers and not having enough motivation to give it the correct amount of time, focus, and effort that it requires.

    But should you not have the inspiration, then you should know you could obtain the motivation which you need to create a well-written study paper by doing a couple of straightforward things. These include developing good communication skills, using key phrases that work, and developing a systematic plan that works.

    If you wish good communication skills, then you should practice taking notes while reading. Make it a habit to always compose the whole paragraph until you stop reading so that you can take notes later.

    A good approach to come up with good important phrases that work will be to brainstorm a variety of themes and also to eliminate some of their worst thoughts. Write down the best ideas, which can allow you to avoid making common mistakes like getting your topic too general.

    Creating a systematic plan that works is a great way to ensure you come up with a great research paper. It is also a way to avoid making the exact mistakes as other students who don’t use this method.

    Finding a good research paper writing class is just one of the most crucial steps to consider when you are working to turn into a research paper author. A fantastic degree program or maybe a college or university library may often offer a little quantity of assistance, but most the time that paper service the only means to understand just how to write a good research paper is to make a personal decision to learn how to achieve that.




, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedé magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso



Architecture fantôme, 2011, Berdaguer & Péjus



Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère




Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013


La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012



Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013



Bolstered by its success and visibility, uncoupdedé is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedé repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedé takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…



(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.