Writing A Post: Things To Understand « Un coup de dés

Un coup de dés

  • 2020. 07. 27

    Writing A Post: Things To Understand

    Writing an article is a very difficult job to tackle, unless you have been taught in school how to do it. It is not easy in any way, particularly if you’re just beginning, since the whole idea of grammar and word structure comes in to play. Even though it’s a complex job, it’s still possible to accomplish the job if you have sufficient perseverance.

    The first step to create when writing an essay will be to make certain that your topic is good enough. The topic you pick will be that which will hold the attention of the reader. It should also be something that’s persuasive enough to trigger the interest in the reader. Deciding on the right subject for the essay can spare you a great deal of time and you’re able to get hold of your essay composed in a snap. However, before that, you want to comprehend the basics about composition writing.

    Initially, you will have to set a whole paragraph on the start and the conclusion of your article. You may produce a heading over the first paragraph along with an introduction on the next paragraph. It will assist the reader to comprehend what’s happening in the very first paragraph and what you are trying to say from the second paragraph.

    In the center of the guide, you have to start introducing your subject in the paperwritings.com very first paragraph. Make certain that you incorporate some appropriate information that will aid the reader in understanding the entire subject of your essay. Remember to list all the points which you wish to make at the body of the essay. You have to contain enough information to allow the reader know what you are attempting to say.

    The last thing you need to do in your essay is the conclusion. You need to finish your essay by including a few lines. In this last line, you can let the reader know what you are attempting to say and finish your essay in a great method. This will give the readers something to read in the end.

    When writing an article, you should keep in mind that every single thing you write has the capability to offer you the eligibility or the failure of your essay. Consequently, you need to be very careful about your choice of words. While composing an article, you want to use great caution.

    In the beginning, you’ll have to be very aware of exactly what to write and how to write your essay. Once you start writing, you have to revise until you’re totally satisfied with the sort of essay you have created. This will make certain you are ready to stick out from the crowd of additional essay authors. There is nothing wrong with all of your essay, only make certain that you have all of the details of your topic and that you have put all the information in 1 paragraph.

    Essay writing may be somewhat difficult occasionally, but once you get through it, you will be surprised to observe just how much joy you will be able to experience. Writing an essay is a really rewarding experience. Just try to follow the basic rules so as to make your essay more enjoyable.




, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso



Architecture fantôme, 2011, Berdaguer & Péjus



Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère




Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013


La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012



Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013



Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…



(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.