Custom Paper – A Good Choice For Your Business « Un coup de dés

Un coup de dés

  • 2020. 09. 14

    Custom Paper – A Good Choice For Your Business

    Custom made newspaper is one of the most in need in advertising. Not just that, it helps in providing your business a completely different identity and attitude. It’s been used to provide a new look to the firm with the presence of colours and layouts to stand out in the crowd.

    There are a variety of ways on how you can use custom paper to give an entirely new appearance to your organization. By using the internet as an instance, there are a lot of businesses that are receiving the advantage of using paper in their work. Because of thisthey are able to brand themselves and gain visibility for their company.

    Paper can also be used for all sorts of purposes. You may choose to utilize it in the form of wedding invitations or wedding invitations for other individuals to send to you. It is perfect for such functions. You’ll have something which will be wholly unique in your business by utilizing a customized newspaper.

    You may find an idea of what it looks like from the friends or loved ones. This could assist you in getting the ideal one for the need. You can take help from them in picking one which has the essential colors and designs to get your place unique. Today, many business owners prefer these kind of items.

    One of the benefits of utilizing custom paper for your company is that you are free from price. This is since there are no costs involved with picking a customized item for your organization. No one else but you can certainly get to use the merchandise. If you are likely to utilize it for a wedding invitation, then you won’t need to pay any expenses because everyone you send it to will be your close relatives or friends.

    If you are employing a newspaper to get a wedding invitation, then you will be able to receive the top one at a really inexpensive price. The materials can be found in all shapes and sizes, and that means you’re able to discover the one that you desire. If you are interested to find out more about how you can personalize your newspaper, go to one of the numerous online shops that sell these things.

    The plan of this paper will be research paper helper based on the wedding invitation which you’re using for your business. This usually means you will be able to have lots of custom invitations to coordinate with your style. On the other hand, the benefit that you get is that you don’t need to spend an excessive amount of cash so as to customize your business’ paper.

    A advantage of working with this particular custom paper is that you will not have to go through the process of printing. The design will come to you personally by just utilizing the web. You will not have to await the print run because it’s made to the arrangement of the client.

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EDITO

ORGANIZING UN COUP DE DÉS

, and lies listen to,, at the she said as a form of, while he said ? . a , .

 For the summer edition of uncoupdedés.net magazine, I have let myself be inspired by Mallarme´s dice play to shift away from a regular textual introduction. In favor of the actual produced material and the heterogonous spirit I found in the magazine, I limited myself to use what is already existing – titles and content – to produce a minimal intervention: , and lies listen to,, at the, she said, as a for of, while he said ? . a , . The economy of words deploys a visual and musical dimension of the assemblage, flames the collective effort, fulfills magical strategies, provokes memorization or, perhaps, simply incorporates the fundamental action given by this invitation: ORGANIZING UN COUP DE DÉS.

Manuela Moscoso

summer_issue

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Architecture fantôme, 2011, Berdaguer & Péjus

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Poinçon, Nicolas Floc’h, exposition à la verrerie de la Rochère, 2012. Production : centre d’art Le Pavé Dans La Mare. Mécénat : verrerie de La Rochère

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Keith Sonnier, Saule pleureur de la série : Blatt, 1999 FNAC 03-044. Dépôt du Cnap - EAC, Donation Albers-Honegger © Yves Chenot pour Adagp

The Innocents © Dora Garcia

Power No Power, by Claudio Zulian, Aulnay-sous-Bois, France, 2013

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La couleur ne brûle pas Elisa Pône & Stéphane Thidet film Super 8 / 2'20 / 2012 co-produit par le Centre d'Art Bastille, Grenoble. Photographie: Stéphane Thidet

vue de l'exposition The Die is Cast, Ryan Gander, 26/06 - 18/10/2009 - J. Brasille/Villa Arson

David Evrard, Spirit of Ecstasy, BLACKJACK éditions et KOMPLOT, 2012

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Alain Bernardini, 'L’origine. Recadrée. Porte-Image, Guillaume, Chantier Giraud BTP, Borderouge Nord, Toulouse 2013', production BBB centre d’art /  commande publique photographique – CNAP

'Bonjour tristesse, désir, ennui, appétit, plaisir' Vue de l’exposition à La Galerie, Centre d’art contemporain de Noisy-le-Sec, Photo © Cédrick Eymenier, 2013

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ABOUT

Bolstered by its success and visibility, uncoupdedés.net is restarting and subjecting existing content to new voices. In 2014 and 2015, several personalities from outside France will be asked to become our editorial writers for one season. Their task will be to place the contents of the whole magazine in perspective, presenting them differently through the prism of their subjectivity and their own work contexts. Catalina Lozano (Colombia), Zasha Colah (India), Moe Satt (Myanmar) and Manuela Moscoso (Brazil): each guest editor will reformulate the actions of the centres d’art, various aspects of which they will have been able to perceive through the magazine. Each editor-in-chief will “roll off” a cross-cutting text, presenting an original re-examination of the resolutely fluid geography of the centres d’art. uncoupdedés.net repeats the challenge from the poet Mallarmé, resurrected in the cinematographic art of Jean-Marie Straub and Danièle Huillet (Every Revolution is a Roll of the Dice, 1977). The guest editors, coming from a variety of disciplines, will widen the circle of expression even more. Choral and fragmentary, uncoupdedés.net takes just as much after puzzles as it does after memories, and naturally calls for cut-outs of every kind…

MANUELA MOSCOSO

 

(Sao Paulo, Brazil)

Manuela Moscoso is a Brazil-based curator. Recently she has curated 12 Bienal de Cuenca, Ecuador; Yael Davis in the Museo de Arte do Rio Brazil; Fisicisimos, Universidad Torcuato di Tella,The Queens Biennale in the Queens Museum New York; or Before Everything in CA2M (Madrid). Together with Sarah Demeuse is Rivet, a curatorial office investigating notions of deployment, circulation, exercise, and resonance. Their research has materialized in projects in Spain, Norway, Lebanon and the US. Manuela Moscoso holds an MA from Center for Curatorial Studies at Bard College.